Thursday, January 5, 2017

Passengers: Heroes Can Suck Too

While it might seem strange to hear this, Rogue One has managed to point out one of the most serious flaws in our movies: the heroes are just too freaking perfect. I don't mean they are annoying simply because they are good guys or that the whole “truth and justice” thing has become any less compelling. Its just that, when a hero emerges in a movie, whether he possesses superpowers or just a really dry wit, they tend to be written as perfect specimens of humanity rather than what they should be: selfish, egotistical people who, when called upon, set aside their most human aspects for the greater good. I might root for Captain America to catch the bad guy but I'd still like to believe he has some kind of personal flaw that makes him, you know, HUMAN. Now, with the failure of Morten Tyldum's Passengers to make any kind of dent in the box office, it...appears people disagree with this opinion. Go figure.
Yes, Passengers, despite having one of the easiest-to-dislike protagonists in recent memory, is a passable sci-fi movie that at least seems to understand its own tropes. Chris Pratt is still funny and pulls off a strangely human performance as engineer Jim, Jennifer Lawrence is just likable enough that the weird second act can almost be forgiven, Michael Sheen is the second best robot of 2016 without having to do anything outside of mix drinks and, even though you don't see enough of it, the ship and space action is still enough fun to justify its overly long run time. On top of all this, it finally gives us something in a sci-fi movie that we actually need: a protagonist that you can't in good conscience root for because of his most selfish act. Say what you will about Pratt or his charming onscreen presence. No amount of humor will ever overshadow the fact that Jim is a bad person and, unlike pretty much every other movie I've seen this year, it is a welcome change from the usual batch of All-American (Captain America), socially conscious (Now You See Me 2), overly rote-with-humanity (Hacksaw Ridge) characters that seem to permeate everything in movies over the last few years. He makes you like him by hating yourself.
As for bad, why exactly is Laurence Fishburne in this movie? The guy is a better actor than what this movie requires and to have someone of his caliber here merely to spout sci-fi lingo and try to play temporary peacemaker between the two leads almost feels trite in its very concept. This, mixed with the wonky chemistry (which is also mixed with the foreknowledge of how they came together), make this otherwise passable sci-fi movie feel like some kind of back-handed soap opera rather than anything meant to entertain. You don't tie good actors into a bad game of will-they-won't-they just to extend the run time, people!
As for watching it, are you a fan of Chris Pratt, Jennifer Lawrence, Michael Sheen or anything space travel related? Go for it and feel bad about being a human who would totally do the same thing in the same position. Have you managed to avoid the undeserving hype surrounding the limited talents of Lawrence but think Pratt's pretty awesome in most of his stuff? You'll get plenty of him to make up for the unfortunate Lawrence presence but probably feel the awkwardness when the big reveal (that you've known for an hour) is finally exposed to all. Pick your poison.
Morten Tyldum (The Imitation Game) tries to make his Oscar-level directing fit the sci-fi genre with passable results with Passengers, a heavy on the charm, light on the brain, sci-fi romance with early actions that are almost guaranteed to take you completely out of a sympathetic state. Awakened 30 years into a 120 year spaceflight, Jim (Pratt) must contend with the fact that he will die from old age long before anyone else awakens on his space ark. Contemplating suicide, he is given a new lease on life when he finds the pod of Aurora (Lawrence) and, bear with me here, sabotages her stasis pod and pretty much CONDEMNS HER TO THE SAME FATE. Romance ensues. Yeah, I can totally see that working out for the best.
My score: 6/10. Is it weird that I completely understand Jim's actions even though they took me completely out of the movie less that thirty minutes in?

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