Sunday, February 17, 2019

The Upside: Middle Ground

The truest slippery slope in all of film might just be the concept of the comedic drama (or dramatic comedy depending on how you look at it) and its constantly shifting allegiances between the two genres. If its too humorous, it becomes too funny to be taken seriously and devolves into just another forgettable comedy that fails to get its more serious aspects across to the audience. If its too serious, it fails to capture the ever coveted audience it needs to sustain any kind of run in theaters and, ultimately, gets relegated into the too-full-of-itself-to-enjoy type of movie most audiences not only avoid like the Measles vaccine in Clark County, Washington but will probably forget completely about anyway before they even manage to leave the theater. In the case of Neil Burger's newest stab at the genre with The Upside: well...they nailed the comedy enough, I guess.
Okay, to be nice for the sake of people who somehow keep Kevin Hart employed outside of stand-up, The Upside is a pretty fun movie with enough charm to nearly sustain its run time, some entertaining performances from the actors you would expect such work from (Nicole Kidman, Bryan Cranston) and even manages to surprise with its half-hearted take on a Hart-lead dramatic role. Throw in some surprisingly heartfelt direction by the guy guilty of starting the Divergent nonsense and some decent cinematography that feels just a little to high in the quality department for this type of movie and you tend to have something resembling a good time for about two thirds of the movie. Hey, two thirds can work sometimes!
Unfortunately, despite the mostly stellar acting involved, I was never truly invested enough in these characters to look past the very formulaic plot that tends to plague these kinds of productions. Is Dell (Hart) a former lowlife trying desperately to turn his life around but stuck in a nihilistic rut of being well-meaning but lazy? Check. Is Philip (Cranston) totally going to get a new lease on life in a shockingly fast way that seems to come out of nowhere and, when everything comes full circle, kind of feel rushed and unbelievable? Check. Will they have a big falling out over something that feels kind of pointless to the grand scheme of the movie and make their big “breakup” argument drag on just long enough to where the audience will start checking their phones? Check. Regardless of the fun characters, the movie never feels like more than a sum of its weakest parts and, when it comes time to shelf the likes of Kidman or Cranston, these flaws burn so brightly they blot out anything resembling the fun time you would expect from the comedy side of this kind of equation.
As for watching it, got anything better to do this weekend? Lego 2 (brilliantly subtitled “The Second One”) is out and likely to absorb most of the population with children and, while its still kind of stuck in its own slow buildup phase, Glass will likely take up anyone interested in weird, undefined movies about people staring seriously at stuff so...go for it if you want to see a movie most of the normal people will probably watch because its one of the few they can get into with minimal hassle? Hey, its not the choice I would make to waste two hours of my life again, but I'd be lying if I didn't say its fun parts (barely) outweighed its mediocre parts. Is that a win in any of your categories?
Neil Burger (The Illusionist) goes from making head trips and teen romance to making old guy buddy comedies with too much dramatic flair with The Upside. Desperate to remain out of prison and constantly trying to make things right by his estranged son and ex-girlfriend, Dell(Hart) lands a job as a medical auxiliary for Philip (Cranston), a billionaire quadriplegic widower whose biggest flaw is he made one big mistake the put him in a chair for the rest of his life. Where am I supposed to go with this? Ex-Con and Billionaire become friends for seemingly innocuous reasons that are covered up by some humor, both get on each other's nerves and somehow bond, both break up awkwardly because the movie was apparently becoming too entertaining and we needed to see some drama we didn't ask for and everything gets tied off with a neat little bow at the end that might as well have been attached to a package marked “Friendship Conquers All”. I've seen cornier.
My score: 7/10. Goodbye, Albert Finney. There are some fish not meant to be caught...

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